Mon premier blog

Kant after Duchamp Thierry de Duve
Publisher: MIT Press

The “best”) art work of the twentieth century, including its status as a prank, and all the manipulations Duchamp performed to put the image of La Fontaine into circulation, recorded in Thierry De Duve's Kant After Duchamp. The fat man in history and other stories – peter carey 5. Kant after duchamp – thierry deduve 4. This volume brings together eight essays around a central thesis, with implications for the history of avant-gardes. After a prize-winning introduction to a translation of Husserl's Origin of Geometry (1962), it was with La Voix et le phénomène, De la grammatologie, and L'Écriture et la différence (all 1967), and subsequently Marges de la philosophie, Press (1996) | "Kant after Duchamp", Thierry de Duve, October - MIT Press (1996)|"Neo-Avantgarde and Cultural Industry - Essays on European and American Art from 1955 to 1975", Benjamin H.D. I found Theirry de Duve's 'Kant after Duchamp' most controversial here. Da, să ştiţi că a fost nevoie de toate aceste operaţii teoretice pentru că, servindu-se de cazul Marcel Duchamp, Thierry de Duve ţintea în mai multe direcţii. Professor Thierry de Duve, author of Sewn in the Sweatshops of Marx, Revamping Kant, Pictorial Nominalism, Kant After Duchamp, and Clement Greenberg Between the Lines. The most important book to me since Thierry de Duve's Kant After Duchamp (MIT Press, 1998). This exhibition is partly inspired by the first chapter of Thierry de Duve's Kant after Duchamp, in which an imaginary anthropologist from outer space sets out to inventory 'all that is called art by humans'. Everyone should read some henry miller (especially recommending black spring) even if it's just an extract or 10 pages. One more stab at becoming post-christians" Alongside this one, some of his other writings address ideas of incarnation and resurrection in contemporary art : 100 years of Contemporary Art and Kant after Duchamp ect ect. Book Review: Kant After Duchamp by Thierry de Duve Reviewed by Mark Cheetham Exhibition Review: DISRUPTURE and CYBERHOME 2000.